American Life in Poetry: Column 125


The American poet, Ezra Pound, once described the faces of people in a rail station as petals on a wet black bough. That was roughly seventy-five years ago. Here Barry Goldensohn of New York offers a look at a contemporary subway station. Not petals, but people all the same.


The station platform, clean and broad, his stage
for push-ups, sit-ups, hamstring stretch,
as he laid aside his back pack, from which
his necessaries bulged, as he bulged
through jeans torn at butt, knee and thigh,
in deep palaver with himself--sigh,
chatter, groan. Deranged but common.
We sat at a careful distance to spy
on his performance, beside a woman
in her thirties, dressed as in her teens--
this is L.A.--singing to herself.
How composed, complete and sane
she seemed. A book by the Dalai Lama
in her hands, her face where pain and wrong
were etched, here becalmed, with faint chirps
leaking from the headphones of her walkman.
Not talking. Singing, lost in song.

American Life in Poetry is made possible by The Poetry
Foundation (www.poetryfoundation.org), publisher of Poetry
magazine. It is also supported by the Department of English
at the University of Nebraska-Lincoln. Poem copyright (c)
2006 by Barry Goldensohn, whose most recent book of poetry
is "East Long Pond" (with Lorrie Goldensohn), Cummington
Press, 1998. Reprinted from "Salmagundi," Fall, 2006, No.
152, with permission of the author. Introduction copyright (c)
2006 by The Poetry Foundation. The introduction's
author, Ted Kooser, served as United States Poet Laureate
Consultant in Poetry to the Library of Congress from 2004-2006.
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