7/27/2009




American Life in Poetry: Column 227


BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


Jane Hirshfield, a Californian and one of my favorite poets, writes beautiful image-centered poems of clarity and concision, which sometimes conclude with a sudden and surprising deepening. Here's just one example.



Green-Striped Melons


They lie

under stars in a field.

They lie under rain in a field.

Under sun.


Some people

are like this as well--

like a painting

hidden beneath another painting.


An unexpected weight

the sign of their ripeness.



American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2008 by Jane Hirshfield, whose most recent book of poems is "After," Harper Collins, 2006. Poem reprinted from "Alaska Quarterly," Vol. 25, nos. 3 & 4, Fall & Winter, 2008, by permission of Jane Hirshfield and the publisher. Introduction copyright (c)2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.


7/24/2009



by Wilda Morris


Calculation


My daughter chokes out a reproach

when her son tells me,

“You’re almost seventy!”

She glares as she asks him,

“What did you say?”

Abashed, he struggles for a reply

till I say, “it’s true.”

She turns toward me,

arithmetic in her eyes.


Published in

Poem, 96 (November 2006), p. 36.

7/08/2009




American Life in Poetry: Column 224


BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


When we're young, it seems there are endless possibilities for lives we might lead, and then as we grow older and the opportunities get fewer we begin to realize that the life we've been given is the only one we're likely to get. Here's Jean Nordhaus, of the Washington, D.C. area, exploring this process.



I Was Always Leaving


I was always leaving, I was

about to get up and go, I was

on my way, not sure where.

Somewhere else. Not here.

Nothing here was good enough.


It would be better there, where I

was going. Not sure how or why.

The dome I cowered under

would be raised, and I would be released

into my true life. I would meet there


the ones I was destined to meet.

They would make an opening for me

among the flutes and boulders,

and I would be taken up. That this

might be a form of death


did not occur to me. I only know

that something held me back,

a doubt, a debt, a face I could not

leave behind. When the door

fell open, I did not go through.



American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2008 by Jean Nordhaus, whose most recent book of poems is "Innocence," Ohio State University Press, 2006. Poem reprinted from "The Gettysburg Review," Vol. 21, no. 4, Winter, 2008, by permission of Jean Nordhaus and the publisher. Introduction copyright (c)2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.


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7/04/2009



American Life in Poetry: Column 222


BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


Coleman Barks, who lives in Georgia, is not only the English language's foremost translator of the poems of the 13th century poet, Rumi, but he's also a loving grandfather, and for me that's even more important. His poems about his granddaughter, Briny, are brim full of joy. Here's one:



Glad


In the glory of the gloaming-green soccer

field her team, the Gladiators, is losing


ten to zip. She never loses interest in

the roughhouse one-on-one that comes


every half a minute. She sticks her leg

in danger and comes out the other side running.


Later a clump of opponents on the street is chant-

ing, WE WON, WE WON, WE . . . She stands up


on the convertible seat holding to the wind-

shield. WE LOST, WE LOST BIGTIME, TEN TO


NOTHING, WE LOST, WE LOST. Fist pumping

air. The other team quiet, abashed, chastened.


Good losers don't laugh last; they laugh

continuously, all the way home so glad.



American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2001 by Coleman Barks, from his most recent book of poems, "Winter Sky: New and Selected Poems, 1968-2008," University of Georgia Press, 2008, and reprinted by permission of Coleman Barks and the publisher. Introduction copyright (c)2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

6/15/2009




American Life in Poetry: Column 221


BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


Sometimes, it's merely the sound of a child's voice in a nearby room that makes a parent feel immensely lucky. To celebrate Father's Day, here's a joyful poem of fatherhood by Todd Boss, who lives in St. Paul, Minnesota.



This Morning in a Morning Voice


to beat the froggiest

of morning voices,

my son gets out of bed

and takes a lumpish song

along--a little lyric

learned in kindergarten,

something about a

boat. He's found it in

the bog of his throat

before his feet have hit

the ground, follows

its wonky melody down

the hall and into the loo

as if it were the most

natural thing for a little

boy to do, and lets it

loose awhile in there

to a tinkling sound while

I lie still in bed, alive

like I've never been, in

love again with life,

afraid they'll find me

drowned here, drowned

in more than my fair

share of joy.



American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2008 by Todd Boss, whose most recent book of poems is "Yellowrocket," W. W. Norton & Co., 2008. Poem reprinted from "Poetry," December 2008, by permission of Todd Boss and the publisher. Introduction copyright (c)2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.


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6/08/2009



American Life in Poetry: Column 220

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


One of the privileges of being U.S. Poet Laureate was to choose two poets each year to receive a $10,000 fellowship, funded by the Witter Bynner Foundation. Joseph Stroud, who lives in California, was one of my choices. This poem is representative of his clear-eyed, imaginative poetry.


Night in Day

The night never wants to end, to give itself over
to light. So it traps itself in things: obsidian, crows.
Even on summer solstice, the day of light's great
triumph, where fields of sunflowers guzzle in the sun--
we break open the watermelon and spit out
black seeds, bits of night glistening on the grass.
 


American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2009 by Joseph Stroud, and reprinted from his recent book of poems, "Of This World: New and Selected Poems 1966-2006," Copper Canyon Press, 2009, by permission of the author and publisher. Introduction copyright (c)2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts. 

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5/18/2009




American Life in Poetry: Column 217

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


American literature is rich with poems about the passage of time, and the inevitability of change, and how these affect us. Here is a poem by Kevin Griffith, who lives in Ohio, in which the years accelerate by their passing.


Spinning

I hold my two-year-old son
under his arms and start to twirl.
His feet sway away from me
and the day becomes a blur.
Everything I own is flying into space:
yard toys, sandbox, tools,
garage and house,
and, finally, the years of my life.

When we stop, my son is a grown man,
and I am very old. We stagger
back into each other's arms
one last time, two lost friends
heavy with drink,
remembering the good old days.


American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2006 by Kevin Griffith, whose most recent book of poetry is "Denmark, Kangaroo, Orange," Pearl Editions, 2007. Poem reprinted from "Mid-American Review," Vol. 26, no. 2, 2006, by permission of Kevin Griffith and the publisher.  Introduction copyright (c)2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts. 

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