11/30/2009



American Life in Poetry: Column 245

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

I love the way the following poem by Susie Patlove opens, with the little rooster trying to "be what he feels he must be." This poet lives in Massachusetts, in a community called Windy Hill, which must be a very good place for chickens, too.

Poor Patriarch

The rooster pushes his head
high among the hens, trying to be
what he feels he must be, here
in the confines of domesticity.
Before the tall legs of my presence,
he bristles and shakes his ruby comb.

Little man, I want to say
the hens know who they are.
I want to ease his mistaken burden,
want him to crow with the plain
ecstasy of morning light as it
finds its winter way above the woods.

Poor outnumbered fellow,
how did he come to believe
that on his plumed shoulders
lay the safety of an entire flock?
I run my hand down the rippled
brindle of his back, urge him to relax,
drink in the female pleasures
that surround him, of egg laying,
of settling warm-breasted in the nest
of this brief and feathered time.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2007 by Susie Patlove from Quickening, Slate Roof Press, 2007. Reprinted by permission of Susie Patlove and the publisher. Introduction copyright © 2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

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11/23/2009



American Life in Poetry: Column 244

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Love predated the invention of language, but love poetry got its start as soon as we had words through which to express our feelings. Here’s a lovely example of a contemporary poem of love and longing by George Bilgere, who lives in Ohio.

Night Flight

I am doing laps at night, alone
In the indoor pool. Outside
It is snowing, but I am warm
And weightless, suspended and out
Of time like a fly in amber.

She is thousands of miles
From here, and miles above me,
Ghosting the stratosphere,
Heading from New York to London.
Though it is late, even
At that height, I know her light
Is on, her window a square
Of gold as she reads mysteries
Above the Atlantic. I watch

The line of black tile on the pool’s
Floor, leading me down the lane.
If she looks down by moonlight,
Under a clear sky, she will see
Black water. She will see me
Swimming distantly, moving far
From shore, suspended with her
In flight through the wide gulf
As we swim toward land together.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2009 by George Bilgere, whose most recent book of poems is Haywire, Utah State University Press, 2006. Reprinted by permission of George Bilgere. Introduction copyright © 2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

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11/17/2009


American Life in Poetry: Column 243

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Lots of contemporary poems are anecdotal, a brief narration of some event, and what can make them rise above anecdote is when they manage to convey significance, often as the poem closes. Here is an example of one like that, by Marie Sheppard Williams, who lives in Minneapolis.

Everybody

I stood at a bus corner
one afternoon, waiting
for the #2. An old
guy stood waiting too.
I stared at him. He
caught my stare, grinned,
gap-toothed. Will you
sign my coat? he said.
Held out a pen. He wore
a dirty canvas coat that
had signatures all over
it, hundreds, maybe
thousands.
I’m trying
to get everybody, he
said.
I signed. On a
little space on a pocket.
Sometimes I remember:
I am one of everybody.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2006 by Marie Sheppard Williams. Reprinted from the California Review, Volume 32, no. 4, by permission of Marie Sheppard Williams and the publisher. Introduction copyright © 2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

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11/11/2009



American Life in Poetry: Column 242

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

There are lots of poems in which a poet expresses belated appreciation for a parent, and if you don’t know Robert Hayden’s poem, “Those Winter Sundays,” you ought to look it up sometime. In this lovely sonnet, Kathy Mangan, of Maryland, contributes to that respected tradition.

The Whistle

You could whistle me home from anywhere
in the neighborhood; avenues away,
I’d pick out your clear, alternating pair
of notes, the signal to quit my child’s play
and run back to our house for supper,
or a Saturday trip to the hardware store.
Unthrottled, wavering in the upper
reaches, your trilled summons traveled farther
than our few blocks. I’ve learned too, how your heart’s
radius extends, though its beat
has stopped. Still, some days a sudden fear darts
through me, whether it’s my own city street
I hurry across, or at a corner in an unknown
town: the high, vacant air arrests me—where’s home?

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©1995 by Kathy Mangan, from her most recent book of poems, Above the Tree Line, Carnegie Mellon University Press, 1995. Reprinted by permission of Kathy Mangan and the publisher. Introduction copyright © 2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

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11/08/2009



by Kelly Madigan Erlandson

Before She Decides


They are in a dark plum thicket

and she is too far above the ground,

can feel the lift and fall of walking

but is not walking. Beneath her

are the shoulders of a boy

who is willing to carry her for years

but he is unsteady as a shirt

unbuttoned in the wind and she

is like a feather on the surface

of a river with round stones

in its bed. She already knows

he will fall and because she is above

him she will fall further

but that doesn’t matter yet, the night

held up all around her

like great bolts of cloth for her choosing.

-originally appeared in Gumball Poetry

11/02/2009



American Life in Poetry: Column 241

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

I love poems in which the central metaphors are fresh and original, and here’s a marvelous, coiny description of autumn by Elizabeth Klise von Zerneck, who lives in Illinois.

Like Coins, November

We drove past late fall fields as flat and cold
as sheets of tin and, in the distance, trees

were tossed like coins against the sky. Stunned gold
and bronze, oaks, maples stood in twos and threes:

some copper bright, a few dull brown and, now
and then, the shock of one so steeled with frost

it glittered like a dime. The autumn boughs
and blackened branches wore a somber gloss

that whispered tails to me, not heads. I read
memorial columns in their trunks; their leaves

spelled UNUM, cent; and yours, the only head . . .
in penny profile, Lincoln-like (one sleeve,

one eye) but even it was turning tails
as russet leaves lay spent across the trails.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2008 by Elizabeth Klise von Zerneck. Reprinted from The Spoon River Poetry Review, Vol. XXXIII, no. 1, 2008, by permission of Elizabeth Klise von Zerneck and the publisher. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.