by Karla Huston

TREASURE

Rich says the desert pack rat
loves to steal sparkly things, loves
to eat wiring and hoses, and can strip

a car engine clean overnight.
He says they sneak up into the cups
of his roof tiles and hide, bringing

their treasures along, and birds roost
in their tracks. The rats always
leave something behind, he says,

something in trade for what they take.
They’re very fair that way.
Once, when he’d left an old pickup truck

in the yard, the pack rats filled it
with cactus and sticks, prickly pear ears
and crammed the engine so full that Rich

didn’t know if there was a motor left
to tune up, to tweak and grease, to rev
and coast into the desert sunset,

the moon oiling the desert sky--
the glitter of all those riches
hidden in some dark sparkling place.


Previously published in Comstock Review, Free Verse, and Verse Daily.

American Life in Poetry: Column 143

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Here is Arizona poet Steve Orlen's lovely tribute to the great opera singer, Maria Callas. Most of us never saw her perform, or even knew what she looked like, but many of us listened to her on the radio or on our parents' record players, perhaps in a parlor like the one in this poem.

In the House of the Voice of Maria Callas

In the house of the voice of Maria Callas
We hear the baby's cries, and the after-supper
Rattle of silverware, and three clocks ticking
To different tunes, and ripe plums
Sleeping in their chipped bowl, and traffic sounds
Dissecting the avenues outside. We hear, like water
Pouring over time itself, the pure distillate arias
Of the numerous pampered queens who have reigned,
And the working girls who have suffered
The envious knives, and the breathless brides
With their horned helmets who have fallen in love
And gone crazy or fallen in love and died
On the grand stage at their appointed moments--
Who will sing of them now? Maria Callas is dead,
Although the full lips and the slanting eyes
And flared nostrils of her voice resurrect
Dramas we are able to imagine in this parlor
On evenings like this one, adding some color,
Adding some order. Of whom it was said:
She could imagine almost anything and give voice to it.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2001 by Steve Orlen. Reprinted from "The Elephant's Child: New & Selected Poems 1978-2005," by Steve Orlen, published by Ausable Press, 2006, by permission of the author. First published in The Gettysburg Review. Introduction copyright (c) 2007 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts. ******************************

American Life in Poetry: Column 142

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

There's that old business about the tree falling in the middle of the forest with no one to hear it: does it make a noise? Here Linda Gregg, of New York, offers us a look at an elegant beauty that can be presumed to exist and persist without an observer.

Elegance

All that is uncared for.
Left alone in the stillness
in that pure silence married
to the stillness of nature.
A door off its hinges,
shade and shadows in an empty room.
Leaks for light. Raw where
the tin roof rusted through.
The rustle of weeds in their
different kinds of air in the mornings,
year after year.
A pecan tree, and the house
made out of mud bricks. Accurate
and unexpected beauty, rattling
and singing. If not to the sun,
then to nothing and to no one.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Linda Gregg. Reprinted from "In the Middle Distance," Graywolf Press, 2006, by Linda Gregg, with permission of the author and publisher. Introduction copyright (c) 2007 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts. ******************************

American Life in Poetry: Column 141

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Life becomes more complicated every day, and each of us can control only so much of what happens. As for the rest? Poet Thomas R. Smith of Wisconsin offers some practical advice.

Trust

It's like so many other things in life
to which you must say no or yes.
So you take your car to the new mechanic.
Sometimes the best thing to do is trust.

The package left with the disreputable-looking
clerk, the check gulped by the night deposit,
the envelope passed by dozens of strangers--
all show up at their intended destinations.

The theft that could have happened doesn't.
Wind finally gets where it was going
through the snowy trees, and the river, even
when frozen, arrives at the right place.

And sometimes you sense how faithfully your life
is delivered, even though you can't read the address.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2003 by Thomas R. Smith. Reprinted from "Waking before Dawn," Thomas R. Smith, Red Dragonfly Press, 2007, by permission of the author. Introduction copyright (c) 2007 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts. ******************************

American Life in Poetry: Column 140

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Here's a holiday poem by Steven Schneider that I like very much for its light spirit and evocative sensory detail. Isn't this a party to which you'd like to be invited?

Chanukah Lights Tonight

Our annual prairie Chanukah party--
latkes, kugel, cherry blintzes.
Friends arrive from nearby towns
and dance the twist to "Chanukah Lights Tonight,"
spin like a dreidel to a klezmer hit.

The candles flicker in the window.
Outside, ponderosa pines are tied in red bows.
If you squint,
the neighbors' Christmas lights
look like the Omaha skyline.

The smell of oil is in the air.
We drift off to childhood
where we spent our gelt
on baseball cards and matinees,
cream sodas and potato knishes.

No delis in our neighborhood,
only the wind howling over the crushed corn stalks.
Inside, we try to sweep the darkness out,
waiting for the Messiah to knock,
wanting to know if he can join the party.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Reprinted from "Prairie Air Show," Talking River Publications, 2000, by permission of Steven Schneider. Poem copyright (c) 2000 by Steven Schneider. Introduction copyright (c) 2007 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.